501(c)(3) a-go-go
Posted: November 8th, 2005, 12:40 am
Here's the IRS' page on Tax Information for Charitable Organizations: http://www.irs.gov/charities/charitable/
The basic process for getting 501(c)(3) charitable tax-exempt status is to get a Tax ID # (easy), have a mission consistent with the restrictions & intent of 501(c)(3) (conceptually easy but practically tricky: with a mission of promoting the arts we're educational, with community outreach we're engaging in specific non-sectarian community service to a reasonable portion of the public - the devil's in the details), and we need to prove to the IRS' satisfaction that we have our finances, organization, management, and recordkeeping stuff in order (harder, especially if nobody involved has ever done this before.)
This is somewhat dry but important reading because it explains the restrictions and benefits of operating as a 501(c)(3.) The big upsides are much easier access to public & private funding (certain contributions are tax-deductable); the downsides are restrictions on operations, planning, recordkeeping, and reporting. They aren't insurmountable, but they aren't trivial either.
Anyway, it's good stuff to look over even if we decide to cobble onto another group's existing 501(c)(3) - for example, Austin Circle of Theaters (ACoT) or Salvage Vanguard. Often those groups will take a cut of a subordinate group's donations in exchange for making sure all the paperwork gets filed properly; the subordinate group ends up filing more extensive paperwork with the parent group which gets condensed and sent off to the IRS. The paper still needs to get filed and it's important to know what is expected, either going it alone or operating under an umbrella group like ACoT.
Speaking of which, ACoT has a an arts incubator program that may be worth exploring - see http://www.acotonline.org/Pages/Programs.html It may not be unreasonable to work with ACoT for a year or two until we've developed a professional staff and board and it makes sense to get our own 501(c)(3.)
The basic process for getting 501(c)(3) charitable tax-exempt status is to get a Tax ID # (easy), have a mission consistent with the restrictions & intent of 501(c)(3) (conceptually easy but practically tricky: with a mission of promoting the arts we're educational, with community outreach we're engaging in specific non-sectarian community service to a reasonable portion of the public - the devil's in the details), and we need to prove to the IRS' satisfaction that we have our finances, organization, management, and recordkeeping stuff in order (harder, especially if nobody involved has ever done this before.)
This is somewhat dry but important reading because it explains the restrictions and benefits of operating as a 501(c)(3.) The big upsides are much easier access to public & private funding (certain contributions are tax-deductable); the downsides are restrictions on operations, planning, recordkeeping, and reporting. They aren't insurmountable, but they aren't trivial either.
Anyway, it's good stuff to look over even if we decide to cobble onto another group's existing 501(c)(3) - for example, Austin Circle of Theaters (ACoT) or Salvage Vanguard. Often those groups will take a cut of a subordinate group's donations in exchange for making sure all the paperwork gets filed properly; the subordinate group ends up filing more extensive paperwork with the parent group which gets condensed and sent off to the IRS. The paper still needs to get filed and it's important to know what is expected, either going it alone or operating under an umbrella group like ACoT.
Speaking of which, ACoT has a an arts incubator program that may be worth exploring - see http://www.acotonline.org/Pages/Programs.html It may not be unreasonable to work with ACoT for a year or two until we've developed a professional staff and board and it makes sense to get our own 501(c)(3.)