Ten Ways to be Better
Posted: January 23rd, 2007, 1:20 am
From Jason Chin's IO blog:
Ten Easy Ways to Be a Better Improviser (in no particular order)
- Listen. No, really. Really listen to what someone else says on stage before you react. If this means slowing down your reaction time, do so. It’s not a race. Respond to what they’re really saying.
- Wipe the slate clean. Watch a show as if you’ve never seen improv before. The reason most people start doing long-form is because of a particular show and then over the years, and after watching hundreds of shows we all become jaded. Wipe the slate clean and watch all it anew. Try to recapture what drew you to the art in the first place.
- Shut up. Make a personal moratorium on gossip and back-biting. Not a resolution (those rarely last) but a 1 month hiatus from a destructive habit that has a tendency to spill onto stage.
- Know thyself. You know what you always do. Stop that. If you’re always a nerdy character change that. If you’re always a foreigner, stop that. Change starts with you (you know, like the Man in the Mirror); surprise your fellow performers by playing out of “characterâ€
Ten Easy Ways to Be a Better Improviser (in no particular order)
- Listen. No, really. Really listen to what someone else says on stage before you react. If this means slowing down your reaction time, do so. It’s not a race. Respond to what they’re really saying.
- Wipe the slate clean. Watch a show as if you’ve never seen improv before. The reason most people start doing long-form is because of a particular show and then over the years, and after watching hundreds of shows we all become jaded. Wipe the slate clean and watch all it anew. Try to recapture what drew you to the art in the first place.
- Shut up. Make a personal moratorium on gossip and back-biting. Not a resolution (those rarely last) but a 1 month hiatus from a destructive habit that has a tendency to spill onto stage.
- Know thyself. You know what you always do. Stop that. If you’re always a nerdy character change that. If you’re always a foreigner, stop that. Change starts with you (you know, like the Man in the Mirror); surprise your fellow performers by playing out of “characterâ€