Holy Moly. If only improv classes/coaching were this brutal.
The last couple pages especially.
Also, from what I hear, Alex Toth was an insufferable ass who alienated all his cartooning friends over his lifetime.
Critical beatdown
Discussion of the art and craft of improvisation.
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Critical beatdown
Last edited by shando on September 28th, 2006, 3:51 pm, edited 1 time in total.
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
i liked this part of roth's critique, and printed it out the entire last page(emphasis lacking from type to print):
as this related to improv, i personally prefer brutally honest coaches/mentors. i've grown most while in classes/on teams/in productions with them and respect it when they tell me when stuff sucks. in most cases, i know it sucks and i want them help me get better.
i've noticed that critical feedback in coaching n' teaching sometimes gets lost in the cult of personality drive or the coaches/teacher's need for students to like them. i think there is a balance to be struck (especially with new students), but it ultimately does the student a disservice.
that was awesome. thanks shando.always be a student! a scholar! admitting how little you know, how much there's still left to learn, is your key to learning! for a lifetime!
as this related to improv, i personally prefer brutally honest coaches/mentors. i've grown most while in classes/on teams/in productions with them and respect it when they tell me when stuff sucks. in most cases, i know it sucks and i want them help me get better.
i've noticed that critical feedback in coaching n' teaching sometimes gets lost in the cult of personality drive or the coaches/teacher's need for students to like them. i think there is a balance to be struck (especially with new students), but it ultimately does the student a disservice.
"I suspect what we're doing is performance art, but I'm not going to tell the public that."
-- Del Close
-- Del Close
Yeah, I thought that was the money quote as well.erikamay wrote:i liked this part of roth's critique, and printed it out the entire last page(emphasis lacking from type to print):
always be a student! a scholar! admitting how little you know, how much there's still left to learn, is your key to learning! for a lifetime!
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
Ooo! This is a really intersting topic to me as the critique has been a big part of my professional career!
and I wanted to add that a lot of one's ability to absorb and act on that critism has to do with:
1) the respect you have for the teacher's knowledge
2) having the feedback being actionable
3) your level of commitment to improving yourself
4) your ability to act on the # of things you are being asked to deal-with/focus-on at one time
I think teaching is an art, and a good teacher can find what their students need in order to progress at a speed that is right for them -- keeping them interested and challenged at once.
I agree that different people can/can't deal with "brutally honest" critisism...erikamay wrote:i personally prefer brutally honest coaches/mentors. i've grown most while in classes/on teams/in productions with them...
and I wanted to add that a lot of one's ability to absorb and act on that critism has to do with:
1) the respect you have for the teacher's knowledge
2) having the feedback being actionable
3) your level of commitment to improving yourself
4) your ability to act on the # of things you are being asked to deal-with/focus-on at one time
I agree that beginners need to be treated with more gentility. They are new to the field, may not be as committed, may not have the ability to focus on multiple things at once, may not repsect their instructor, etc.erikamay wrote:i think there is a balance to be struck (especially with new students)...
I think teaching is an art, and a good teacher can find what their students need in order to progress at a speed that is right for them -- keeping them interested and challenged at once.
And Erika, is that a Camille Rose Garcia painting as your avatar? Nice pic(k).
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
Aha, it is. I just found it.
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
yop. i'm recently obsessed, courtesy of this month(s) BUST magazine. the short "film" in her gallery page called pharmaceuticools is rock-em-sock-em sweet. novel is on backorder at quimby's, but i plan on some #1 fandom real soon.And Erika, is that a Camille Rose Garcia painting as your avatar? Nice pic(k)
re: feedback, i agree sara. i think it has to do with all those things you list, which are essentially the intersection of student willingness and teacher competency.
"I suspect what we're doing is performance art, but I'm not going to tell the public that."
-- Del Close
-- Del Close