March Electives are available online (only $15 each):
Wednesday, March 7, 7-9pm
Improvising in the Dark: The Bat with Michael Jastroch
One of the perennial highlights of the Hideout Improv Marathon and a ColdTowne Theater student favorite, The Bat is a Harold performed entirely in the dark. This workshop with Michael Jastroch (ColdTowne owner and instructor) will focus on the skills necessary for performing blind: making organic transitions and connections, superlative listening, strong character work, performing in the moment and 100% unconditional “yes, anding.” Students will learn how to first embrace, then harness and control chaos. Plus, we’ll get to do funny voices and make sound effects.
Wednesday, March 14, 7-9pm
Filling The Empty Space with Kristin Firth
Do you struggled with what you should be doing with your hands on stage? Gotten one too many drinks out of the fridge that is always downstage right? Kristin Firth (Hideout performer, Institution instructor) can help you create a meaningful environment on stage that is more than just a means to an end. It can help establish the tone of the scene, your character’s background and emotion, and add depth to your scenes. We’ll work on skills to help you build environments collaboratively and to up your confidence and precision in creating an unlimited number of mimed objects.
Wednesday, March 21, 7-9pm
Character Consistency with Asaf Ronen
It happens to all of us: that character choice drops, that physicality choice morphs into something completely different, that accent changes country a couple of times. Asaf Ronen (Education Director for the Institution Theater) will show you how to better ground your characters so that they will live out the ENTIRE scene. Learn how to make the characters more consistent and the inconsistencies part of the character.
Wednesday, March 28, 7-9pm
Chase the Ball with Roy Janik
Roy Janik (Hideout owner, instructor and director) wants you to think of the focus of a scene as a physical ball of glowing energy. If you’re talking about something that’s happening elsewhere, that’s where the ball is. If you’re discussing a past or future event, the ball has warped through time and is now there. So what do you do in a scene if the ball gets away from you? You either coax it back in, or you chase it.
