Ask Mark Sutton
Discussion of the art and craft of improvisation.
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- Asaf Offline
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Ask Mark Sutton
So as part of the relaunch of YESand.com that is coming soon, Mark Sutton has discussed the idea of doing a regular advice column.
So I need some questions to ask him for the first column.
So if you want to ask one of the current greats, post your questions here. We will assume that you are okay with us posting your name if we use your question.
If you prefer to ask something anonymously, feel free to PM me with something.
So I need some questions to ask him for the first column.
So if you want to ask one of the current greats, post your questions here. We will assume that you are okay with us posting your name if we use your question.
If you prefer to ask something anonymously, feel free to PM me with something.
- Rev. Jordan T. Maxwell Offline
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hmm...here's a dilemma i seem to currently be facing here in L.A.
I've been studying and performing at the same theatre for a little over a year and a half now and have really enjoyed my time there. Recently, the company of main stage players were reshuffled into different "teams." So the troupe I was playing with and loving has been semi-retired while I now find myself playing with a great group of performers, but with a format I don't particularly care for. No one else seems to have a problem with their placement, so I feel apprehensive about being the lone voice of dissent and I certainly don't want to come across as petty or ungrateful. Nor do I really want to sever my relationship with the theatre by quitting outright. But I find myself feeling anxious and worried before shows, unengaged during them and a bit frustrated and withdrawn afterwards. Should I get over myself, suck it up and do what the theatre asks of me or do what feels right personally and risk alienating my company and my friends?
(i'm fine with voicing the question here, but i'd prefer some degree of anonymity if the question is used...in case someone at my theatre happens to read it, i don't want to prematurely bring about any drama.
)
I've been studying and performing at the same theatre for a little over a year and a half now and have really enjoyed my time there. Recently, the company of main stage players were reshuffled into different "teams." So the troupe I was playing with and loving has been semi-retired while I now find myself playing with a great group of performers, but with a format I don't particularly care for. No one else seems to have a problem with their placement, so I feel apprehensive about being the lone voice of dissent and I certainly don't want to come across as petty or ungrateful. Nor do I really want to sever my relationship with the theatre by quitting outright. But I find myself feeling anxious and worried before shows, unengaged during them and a bit frustrated and withdrawn afterwards. Should I get over myself, suck it up and do what the theatre asks of me or do what feels right personally and risk alienating my company and my friends?
(i'm fine with voicing the question here, but i'd prefer some degree of anonymity if the question is used...in case someone at my theatre happens to read it, i don't want to prematurely bring about any drama.

Sweetness Prevails.
-the Reverend
-the Reverend
- Asaf Offline
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As somebody who has been in in the improv game a long time, how do you find new ways to challenge yourself and avoid getting stuck in a creative rut?
The Quiet One
Improv For Evil
Improv For Evil
- LisaJackson Offline
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How can I quit my day job and do improv for a living?
"Have you ever scrapped high?" Jon Bolden "Stabby" - After School Improv
http://www.improvforevil.com
http://www.improvforevil.com
- Brian Boyko Offline
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- bradisntclever Offline
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There's a pretty big portion of Austin who seems to share this interest in longform narrative. They're out there. I know the Bay area is also good for it, too.Brian Boyko wrote:How do you find other improvisers interested in doing the same formats you are. It's easy to find Harold-ers, but how do you find troupes interested in longform narrative?
- bradisntclever Offline
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Anything is possible in improv. However, every once in a while I find myself stuck on stage imposing limits on my character or the environment that restrict my view or focus to the point where I almost feel trapped. Is there an exercise or thought process you'd recommend to deconstruct these notions?
That's worded a bit awkwardly, so feel free to edit that however you see fit.
That's worded a bit awkwardly, so feel free to edit that however you see fit.
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- Rev. Jordan T. Maxwell Offline
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