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What are you listening to?

Everything else, basically.

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Post by Rev. Jordan T. Maxwell »

hmm...most of my CDs are out in LA right now, but i held on to about 10 to keep in my CD changer. the ones in heaviest rotation right now are:

Death Cab for Cutie Plans: I've had this album since December and am just now listening to it. Really awesome stuff. My ex turned me on to the Postal Service, but i dig this a lot more. Listening to these songs takes me back to high school and the odd joy of discovering Ben Folds Five for the first time. I don't know why...it just does. Incredible lyrics. Not much variation in the composition on tracks, but they do it well.

Gorillaz Demon Days: Wow. Love these guys. Perfect end of the world music. Like, when the apocalypse comes, this is what I want on the stereo accompanying it. It's this wonderful fusion of Britpop, hip-hop, dance, folk and even some gospel. I'm sad to hear this is probably their last album because I fracking love them...if for no other reason than they turned me on to Del tha Funky Homo Sapien. 8)

Nickel Creek Why Should the Fire Die?: If you dig good country and/or bluegrass music, this comes with my highest recommendation. I mean, these guys aren't much older than me and they're putting out such incredible music that it just astounds me. It's like standard bluegrass infused with this youthful energy mix of playfulness and angst. Some tracks are much stronger than others, but the album as a whole is a great work. And hey, it comes with the recommendation of Tom Waits and Joss Whedon. How can you go wrong?

Green Day American Idiot: Yeah, I like Green Day now. Who'd have thunk it? To be fair, I like this ALBUM. It's not like I'm suddenly into Dookie now or anything. We'll see if this is just a one off thing or if i dig their projects from here on out, but this is awesome. True punk rock when the world is in desperate need of it.

The Cure Wish: At alternating moments, perfectly heartbreaking and utterly joyful. Like every relationship I've ever had. :P ALMOST as good as Disintegration. Almost. :wink:

The Killers Hot Stuff: I don't care what Jeff says, I love the Killers. I love this album. Nuff said.

Coldplay X&Y: Give me shit if you must, but Coldplay is awesome. And to my mind, just keep getting better with every album. As always there's one track i don't like. It's weird...every Coldplay album, there's one track i just absolutely do not like. Love the rest of the album, except for that one track. I think it's like a universal balancing system. Like, if EVERYTHING were so awesome on this album, there'd be no reason to go on, to strive for something greater. And how boring would that be?

U2 How to Dismantle an Atomic Bomb: I like Coldplay. So don't act surprised that I still love U2. Because I do and nothing you can say will make me ever stop. I'm one of the few who liked All That You Can't Leave Behind. But this is much better, feels a bit closer to Joshua Tree. Not actually that good, but closer. And hey...at least it's not Pop. :twisted:

beyond that, there's a mix CD i made for Out of Bounds featuring Sex Pistols, the Pogues, the Who, the Police, the Cure, the Killers, the Smiths, Sponge, Alice in Chains, the Pixies, When in Rome, the Gorillaz and Hedwig. um...and a Socialburn CD. Yeah, i know it's B-grade Our Lady Peace type stuff but i like it, dammit. leave me alone... :oops:
Last edited by Rev. Jordan T. Maxwell on June 12th, 2006, 1:41 pm, edited 1 time in total.
Sweetness Prevails.

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Post by kaci_beeler »

Jordon, I like your music taste. It is most agreeable.

Post by mdalonzo »

Ok, ok...I can't resist a good music thread...

I'm listening to:

Under the Covers - Matthew Sweet and Susanna Hoffs - A bunch of psych covers from the late 60's early 70's

Bruce Springsteen - We Shall Overcome - A Pete Seeger covers album

Danielson - Ships - Seems we all discovered this at about the same time. Thank God for Pitchfork.

Antony and the Johnsons - I Am A Bird Now- Sounds like Klaus Nomi and Bryan Ferry had a gay kid who was obsessed with Warhol mythology. In short, a perfect album for Mike D'Alonzo.

Can You Dig It? - The 70's Soul Experience - Six- disc box set featuring the best of Philly soul from about 1969-1980. This is awesome.

Also, hello everyone, and Happy Birthday Bob!

Mike
"Oh, shit. We're being pulled over."
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Post by beardedlamb »

mdalonzo wrote: Can You Dig It? - The 70's Soul Experience - Six- disc box set featuring the best of Philly soul from about 1969-1980. This is awesome.
hey, didn't you give that to your friend, tom? did you steal it back from him?
.............
O O B
.............

Post by mdalonzo »

I did give it to Tom, but I downloaded it from the internets.

Ahhh...sweet internets.
"Oh, shit. We're being pulled over."
"Is it us?"
"No, it's someone else, and he's pulling us over to tell us who it is, like a courtesy"
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Post by Andy P »

Gnarls Barkley got a hold of me. There's also something 80's about Elefant that makes me giggle. It's fun to name all the 70's rock bands that Wolfmother sounds like throughout their album.
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Post by mcnichol »

new week, new music...

I changed out crap on the iPod and starting digging in the CD crates for things I hadn't heard in awhile. Some of it I did not miss at all (read: Olivia Tremor Control's singles comp) and other stuff had me falling in love with music all over again:

Slint - Spiderland The sound that Slint created on this 1991 album had almost become a cliche, once "post-rock" and "emo" were at their heights in the late 90s, but perhaps this is back to being under the radar again. Very deliberate, very minimal, very frightening stuff from a bunch of (then) kids from Looooville KY. Steve Albini once wrote a great review of the album for the UK's Melody Maker rag, which I've always loved. I put it here.

The Wedding Present - Bizarro Before they became somewhat bored-with-themselves sounding, they were a great, great guitar band. This album from 1989 had them in spades. This is the US pressing which stuck the great Brassneck EP towards the end, which had, unlike the album, been recorded by the aforementioned Albini before he'd really been known for recording things (he was more known for Big Black at that point). They even did what was probably the first cover of a Pavement song, so early that I thought Pavement had covered the Wedding Present when I heard their version. (Word is, Pavement sent a copy of their first 7" to John Peel, who'd played it on the air and played it for the Wedding Present, who turned around and recorded it for the EP.) Anyway, this and Seamonsters are easily my favorites from these guys. Every song (on pretty much every TWP album) finds the subject having been dumped, about to be dumped, or dumping someone. Ah love.

The Turtles - Solid Zinc Anthology Though mostly known these days for "Happy Together," these guys had hit the top 40 a bunch of times in the mid to late 60's. Listening to a lot of it now, some of it really sounds bland or uninspired (though well-played -- these guys were technically amazing), but some of it is surprisingly good. This one song "We Ain't Gonna Party No More" is a somewhat heavy-handed anti-war song lyrically, but musically it keeps blowing me away. And if you haven't heard their "Battle of the Bands" record (much of which is featured here), you should; they act as if every song on the album is by a different group and manage to pull it off (somewhat). The cover of the Byrds' "You Showed Me" is fucking insanely cool -- it's that creepy organ riff De La Soul was sued over for using it in "Transmitting Live From Mars" on 3 Feet High and Rising.

Downliners Sect - The Sect and Rock Sect's In A bunch of dudes thrashing out R&B-inspired rock ala early Stones but with less technical prowess. They make up for that lack with sheer energy and volume though. Nearly ignored in their own time (these records were from 1964 and 1966), they went on to directly inspire the Billy Childish school of garage rock in the 80s -- Childish even copped the hunting hat thing from the singer of the Sect.

Harry Nilsson - demos for the Monkees Here's a secret: for the most part, the Monkees didn't write their own hits. (Gasp!) But a lot of other songwriters got their start writing for them and other "manufactured groups" in the mid-60's. This bootleg finds Nilsson in the RCA studios in 1967 taking a break from recording his first album (he was still working at a bank at the time) to record these songs for engineer Chip Douglas, who had just left the Turtles (he was their bassist and producer) to become the new Monkees producer (Mike Nesmith asked him to after hearing the production job he did on "Happy Together"). Nilsson runs through a whole bunch of songs on guitar, some of which would later be recorded by the Monkees and others. He even switches to piano on one song and plays one of the first songs he ever sold: "This Could Be The Night." That song was recorded in 1965 by the Modern Folk Quartet (which featured, you guessed it, Chip Douglas), and was produced by Phil Spector. Although a great sounding Beach Boys-esque single, it went unreleased as Spector was then entering full-on crazymode (it was finally released in the 80's, compiled on Spector's Back To Mono box set). Nilsson pulls it out here, much to the delight of Douglas in the control booth (who's surprise you can hear). Anyway, it's cool to hear someone like Nilsson long before his fame (and drug/alcohol problems) set in. If you don't recognize his name, some of his songs might ring a bell: "One is the loneliest number that'll ever do..." or "Everybody's talkin' at me, I don't hear a word they say-hay..." (which was actually written by Fred Neil). For a reference check, here's a link to the original Modern Folk Quartet version of Nilsson's "This Could Be The Night."
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Post by valetoile »

The Go Team! Is a fun cheer-inspired band- good for energizing.

Louie Prima was King Louie in The Jungle Book- I just realized that.

A few of Roy Orbison's songs are amazing amazing- blue bayou, in dreams, crying....

And the tape I've been listening to over and and over is the Chris Knox tape B McNee gave me. It's awesome.
Parallelogramophonographpargonohpomargolellarap: It's a palindrome!

Post by shando »

valetoile wrote: And the tape I've been listening to over and and over is the Chris Knox tape B McNee gave me. It's awesome.
If you like that, I have an amazing album from Chris Knox's band Tall Dwarfs. It's called Weeville and it definitley in my top 10 albums of all time. I will burn a copy for you.
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Post by Rev. Jordan T. Maxwell »

currently listening to a copy of the new Dixie Chicks album my sister burned for me. only about halfway through (i keep wanting to listen to the first three tracks again), but it's pretty damn good. For the moment, I still think Home is a superior album, but they're definitely still on the right track. And one of my favorite bands. 8)
Sweetness Prevails.

-the Reverend

I'm not proud...

Post by shksprtx »

But I cannot tell a lie...in my car right now is:

Image[/img]
Gersh gurndy morn-dee burn-dee, burn-dee, flip-flip-flip-flip-flip-flip-flip-flip-flip.

Post by shando »

http://getup.austinimprov.com
madeline wrote:i average 40, and like, a billion grains?
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jay
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Post by mcnichol »

LES RALLIZES DENUDES!!!

Image

Holy effin crap, how did I pass over this name so many times?

These guys are some super-secret, reclusive Japanese psychedelic band that's put out like 5 "official" records since forming in 1967, and those releases are available in micro-quantities for a matter of days. And I don't think any of the members have been seen in public since 1997. Their stuff seems to range from soft twee psyche ballad, but mostly lands at the maddeningly LOUD guitar workout for entire LP sides end of the spectrum. Wikipedia says their songs are "reminiscent of The Temptations' My Girl overlayed with Keiji Haino." Doesn't seem to be far from the truth.

I've been sucking up as much of their stuff as I can find (mostly bootlegs), but currently:
Live at Cradle Saloon 1978 (4xCD)
Blind Baby Has Its Mother's Eyes
Twin Silver (2xCD)


I'm craving much much more.

Also:
The Flamin Groovies | Shake Some Action
The Grifters | One Sock Missing
Bettie Serveert | Palomine
The Fall | Slates / Hex Enduction Hour / Grotesque / etc.
Billy Nicholls | Would You Believe (2xCD reissue)
Slapp Happy | Acnalbasac Noom [thanks to lender Shannon!]


also, adding this because I realized the most recent record in this list was released 14 years ago...
Band of Horses | Everything All The Time (great guitary record that sounds a little like MMJ, but less 'grand')

Post by vine311 »

Image

Welcome back Rob, never leave again.
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Post by kbadr »

How is the new(ish) Priest?

You work your life away and what do they give?
You're only killing yourself to live

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