mcnichol wrote:Who said this isn't worth our time? Who doesn't want to be (and isn't already) actively involved in the art community in Austin?
I don't know that anybody said outright that it's not worth our time. But apparently the fact that we were asked to determine the award winners within our community was seen as an insult. As Shannon mentions, this makes perfect sense to me for logistical reasons, but I guess it didn't to anyone else.
Jesus Christ, people. We lump games and narrative and scenework together and call them all improv, and we advertise it by screaming "COMEDY COMEDY COMEDY" at the top of our lungs, and then we get upset when people don't think of it as legitimate theater?
If you want to be regarded as theater, then REPRESENT YOURSELF THAT WAY. And then watch the ticket sales dwindle to nothing. Friday night I went to see one of the city's best actresses in a modern classic, and the tiny theater wasn't even half full. But it was by god legitimate.
On the other hand, if you want to put asses in seats and do work in front of enthusiastic audiences, keep advertising what we do as comedy. But maybe don't get your panties in a wad when someone actually takes you at your word and views what you do as comedy, for the superficial reason that "comedy" appears in every description of what you do and "theater" is only ever used to describe where you do it.
We sell ourselves as comedy. The Payne awards looked past that to acknowledge that we're part of the theater community. That wasn't good enough for us. End of story.