It shouldn't be surprising how closely these 8 things align with what we're taught in improv.
Kurt Vonnegut's Eight rules for writing fiction:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things -- reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
-- Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam's Sons 1999), 9-10.
Vonnegut's 8 Rules for Writing Fiction
Discussion of the art and craft of improvisation.
Moderators: arclight, happywaffle, bradisntclever
Vonnegut's 8 Rules for Writing Fiction
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- Mo Daviau Offline
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- beardedlamb Offline
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These rules have really helped me in building my latest clown act. I have them taped in my notebook. They really help to correct some of my standard difficulties. I have had a hard time using this in Improv, however. To be honest, I have a hard time remembering platform, yes, and, take care of your partner, all while trying to be honest and react naturally. If I add another 8 rules to that, I'll just explode.
- mpbrockman Offline
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Cat's Cradle is my all time favorite.
"Lucky me, lucky mud..."
"Lucky me, lucky mud..."
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