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What do YOU want from an OOB Panel?

Discuss the festival, ask questions, and get the word out.

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If OOB had a panel discussion this year, what would you want it to be about?

  • How to Market Improv (troupes, applied skills, etc.)
  • 10
  • 38%
  • The State of Our Artform
  • 10
  • 38%
  • Improv in Business
  • 1
  • 4%
  • How to Interact with the media (for promo, reviews, listings)
  • 3
  • 12%
  • Improv Applications (how can we use it other than performance?)
  • 2
  • 8%
Total votes: 26

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  • beardedlamb Offline
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What do YOU want from an OOB Panel?

Post by beardedlamb »

add another topic if the one you want isn't here.

edit: it won't let me edit the poll but i would like to add:

Minority Rights (how do we take care of and include a wider variety of the minority viewpoints in our artform; ie race, gender, class.)
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O O B
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  • andrea Offline
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Post by andrea »

i want to vote for minority rights.
my erdos-bacon number is finite

Post by shando »

andrea wrote:i want to vote for minority rights.
Wow, that's an awesome topic. Now we have to make sure that we've got people to talk about this kind of stuff, and not just a bunch of middle class white dudes.
http://getup.austinimprov.com
madeline wrote:i average 40, and like, a billion grains?
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jay

Post by shando »

shando wrote:
andrea wrote:i want to vote for minority rights.
Wow, that's an awesome topic. Now we have to make sure that we've got people to talk about this kind of stuff, and not just a bunch of middle class white dudes.
If that's in fact what we vote for. :D
http://getup.austinimprov.com
madeline wrote:i average 40, and like, a billion grains?
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jay
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  • York99 Offline
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Re: What do YOU want from an OOB Panel?

Post by York99 »

Shaved Lamb wrote:add another topic if the one you want isn't here.

edit: it won't let me edit the poll but i would like to add:

Minority Rights (how do we take care of and include a wider variety of the minority viewpoints in our artform; ie race, gender, class.)
Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.
"Every cat dies 9 times, but every cat does not truly live 9 lives."
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  • beardedlamb Offline
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Re: What do YOU want from an OOB Panel?

Post by beardedlamb »

York99 wrote:Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.
uh, no bits please. this is a serious discussion.
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  • kbadr Offline
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Post by kbadr »

I agree that "rights" isn't the correct word, though.

Minority Issues? Minority Involvement? Diversifying the Improv Community?

Rights sounds like we're actively excluding minorities, or have deluded ourselves into believing that we have the ability to take someone's rights from them.

You work your life away and what do they give?
You're only killing yourself to live

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Re: What do YOU want from an OOB Panel?

Post by York99 »

beardedlamb wrote:
York99 wrote:Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.
uh, no bits please. this is a serious discussion.
All except for the last sentence was serious. I appreciate the condescension, though.

My point was to try to see what you were getting at. My guess would be something like "Increasing the Diversity of Players and/or Audiences" as the panel discussion topic. Correct?
"Every cat dies 9 times, but every cat does not truly live 9 lives."
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Post by HerrHerr »

I know this panel wouldn't just be for Austin improvisers, but do we really have a minority issue in Austin or in improv in general?

Are we talking about how to get minorities more involved in improv? Are we talking how to play minorities in less sterotypical ways and represent them better in performance? My feeling is that every community would love to have more minority representation.

Currently, the biggest issue, I think, is getting butts in seats--selling improv to the community at large. How to promote improv, our big Achiles heel here because there is no shortage in talent and energy around here. And I think this might apply to those from out of state. Sure, you've got uber cities where improv is set up now after years and years of work, but what about cities like Austin that struggle?
Sometimes it's a form of love just to talk to somebody that you have nothing in common with and still be fascinated by their presence.
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Post by Jules »

I'd vote for that. Good topic.
"Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet." Tom Robbins

Post by arthursimone »

I hate this. fixating on exclusionary "problems" with improv and how to "fix" them seems regressive and guilt-inspiring more than anything.

Do a panel on the state of the art, let's talk about the core impulses that drive us, where we find common ground with other disciplines. How do we relate to jazz improv? Freestyle rap? Improv dance? Performance art?

I want improv to get away from acting like a nerdy after-school theater or d&d club talking down to the sole minority or girl in the room, I want us to talk more about how we're all advancing on shared artistic ideals regardless of identity. What binds us together? Hope of money? fame? or that delicious "something else"?

that's
what I would want from a panel.
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The goddamn best Austin improv classes!
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Post by ChrisTrew.Com »

Panel: Should you move to Austin?
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Post by mcnichol »

British cars, mini-fridges, and Johnson get in my office: Which Improv Bits Need To Be Retired?
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Post by Dave »

mcnichol wrote:British cars, mini-fridges, and Johnson get in my office: Which Improv Bits Need To Be Retired?
Bob IS a genius...

That God he's on my team!
If you disrespect your character, or play it just for laughs, it will sell some gags, but it's all technique.
It's like watching a juggler-- you'll be impressed by it, but it's not going to touch you in anyway. "
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Post by shando »

Dave wrote:
mcnichol wrote:British cars, mini-fridges, and Johnson get in my office: Which Improv Bits Need To Be Retired?
Bob IS a genius...

That God he's on my team!
Yeah, that shit's funny.
http://getup.austinimprov.com
madeline wrote:i average 40, and like, a billion grains?
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jay
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