What do YOU want from an OOB Panel?
Discuss the festival, ask questions, and get the word out.
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- beardedlamb Offline
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What do YOU want from an OOB Panel?
add another topic if the one you want isn't here.
edit: it won't let me edit the poll but i would like to add:
Minority Rights (how do we take care of and include a wider variety of the minority viewpoints in our artform; ie race, gender, class.)
edit: it won't let me edit the poll but i would like to add:
Minority Rights (how do we take care of and include a wider variety of the minority viewpoints in our artform; ie race, gender, class.)
Wow, that's an awesome topic. Now we have to make sure that we've got people to talk about this kind of stuff, and not just a bunch of middle class white dudes.andrea wrote:i want to vote for minority rights.
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
If that's in fact what we vote for.shando wrote:Wow, that's an awesome topic. Now we have to make sure that we've got people to talk about this kind of stuff, and not just a bunch of middle class white dudes.andrea wrote:i want to vote for minority rights.
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http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?
Re: What do YOU want from an OOB Panel?
Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.Shaved Lamb wrote:add another topic if the one you want isn't here.
edit: it won't let me edit the poll but i would like to add:
Minority Rights (how do we take care of and include a wider variety of the minority viewpoints in our artform; ie race, gender, class.)
"Every cat dies 9 times, but every cat does not truly live 9 lives."
-Bravecat
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-Bravecat
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- beardedlamb Offline
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Re: What do YOU want from an OOB Panel?
uh, no bits please. this is a serious discussion.York99 wrote:Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.
- kbadr Offline
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I agree that "rights" isn't the correct word, though.
Minority Issues? Minority Involvement? Diversifying the Improv Community?
Rights sounds like we're actively excluding minorities, or have deluded ourselves into believing that we have the ability to take someone's rights from them.
Minority Issues? Minority Involvement? Diversifying the Improv Community?
Rights sounds like we're actively excluding minorities, or have deluded ourselves into believing that we have the ability to take someone's rights from them.
You work your life away and what do they give?
You're only killing yourself to live
Re: What do YOU want from an OOB Panel?
All except for the last sentence was serious. I appreciate the condescension, though.beardedlamb wrote:uh, no bits please. this is a serious discussion.York99 wrote:Is "rights" really the correct word here? Also, I don't think there is really a minority gender. As for class, the minority would be the upper class. I agree that we should include more viewpoints of the top 2% earners.
My point was to try to see what you were getting at. My guess would be something like "Increasing the Diversity of Players and/or Audiences" as the panel discussion topic. Correct?
"Every cat dies 9 times, but every cat does not truly live 9 lives."
-Bravecat
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-Bravecat
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- HerrHerr Offline
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I know this panel wouldn't just be for Austin improvisers, but do we really have a minority issue in Austin or in improv in general?
Are we talking about how to get minorities more involved in improv? Are we talking how to play minorities in less sterotypical ways and represent them better in performance? My feeling is that every community would love to have more minority representation.
Currently, the biggest issue, I think, is getting butts in seats--selling improv to the community at large. How to promote improv, our big Achiles heel here because there is no shortage in talent and energy around here. And I think this might apply to those from out of state. Sure, you've got uber cities where improv is set up now after years and years of work, but what about cities like Austin that struggle?
Are we talking about how to get minorities more involved in improv? Are we talking how to play minorities in less sterotypical ways and represent them better in performance? My feeling is that every community would love to have more minority representation.
Currently, the biggest issue, I think, is getting butts in seats--selling improv to the community at large. How to promote improv, our big Achiles heel here because there is no shortage in talent and energy around here. And I think this might apply to those from out of state. Sure, you've got uber cities where improv is set up now after years and years of work, but what about cities like Austin that struggle?
Sometimes it's a form of love just to talk to somebody that you have nothing in common with and still be fascinated by their presence.
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--David Byrne
- arthursimone Offline
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I hate this. fixating on exclusionary "problems" with improv and how to "fix" them seems regressive and guilt-inspiring more than anything.
Do a panel on the state of the art, let's talk about the core impulses that drive us, where we find common ground with other disciplines. How do we relate to jazz improv? Freestyle rap? Improv dance? Performance art?
I want improv to get away from acting like a nerdy after-school theater or d&d club talking down to the sole minority or girl in the room, I want us to talk more about how we're all advancing on shared artistic ideals regardless of identity. What binds us together? Hope of money? fame? or that delicious "something else"?
that's what I would want from a panel.
Do a panel on the state of the art, let's talk about the core impulses that drive us, where we find common ground with other disciplines. How do we relate to jazz improv? Freestyle rap? Improv dance? Performance art?
I want improv to get away from acting like a nerdy after-school theater or d&d club talking down to the sole minority or girl in the room, I want us to talk more about how we're all advancing on shared artistic ideals regardless of identity. What binds us together? Hope of money? fame? or that delicious "something else"?
that's what I would want from a panel.
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The goddamn best Austin improv classes!
- ChrisTrew.Com Offline
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Bob IS a genius...mcnichol wrote:British cars, mini-fridges, and Johnson get in my office: Which Improv Bits Need To Be Retired?
That God he's on my team!
If you disrespect your character, or play it just for laughs, it will sell some gags, but it's all technique.
It's like watching a juggler-- you'll be impressed by it, but it's not going to touch you in anyway. "
-Steve Coogan
It's like watching a juggler-- you'll be impressed by it, but it's not going to touch you in anyway. "
-Steve Coogan
Yeah, that shit's funny.Dave wrote:Bob IS a genius...mcnichol wrote:British cars, mini-fridges, and Johnson get in my office: Which Improv Bits Need To Be Retired?
That God he's on my team!
http://getup.austinimprov.com
"She fascinated me 'cause I like to run my fingers through her money."--Abner Jaymadeline wrote:i average 40, and like, a billion grains?