"Enraged" isn't the word, but anyway I'm not mad about any specific troupe. I was quite clear that I think the lineup itself is strong and talented. It's just pulled from a very specific and limited pool, with no consideration given to the 80% of Austin improvisers who aren't connected to TNM. (Referring of course to the Austin-based troupes here, obviously there are out-of-town invites—though even some of them are connected to TNM.)Spots wrote:Which Moontower troupes have you personally seen perform? Which specific troupe are you enraged didn't make it in?
Fair enough. I still think casting a single Maestro, vs. an entire multi-day festival, is a completely different animal, but I wasn't privy to that conversation and it's all tangential to the topic, so never mind.Spots wrote:With regards to the double standard - I'm referring to a PM I received in the past. The nature of the PM was "in general its thought to be disrespectful to call out casting decisions on this forum. Instead email any concerns privately." This was in response to Maestro being cast on three hour notice.
This is an extremely fair point. Shandra probably had no involvement in casting the festival. If I were speaking to her, I'd apologize if my hostile reaction caused any offense, and then explain where it came from.Spots wrote:The difference here is that you guys haven't responded to or shown disrespect directly to Chris Trew. Or myself.
You're replying to Shandra or one of her employees who has absolutely no connections or ties to your qualms. You are responding to Shandra, who no doubt is attempting to be inclusive and offering opportunities to get on the ground floor of the future of the festival.
But then, you can't begrudge us too much for viewing the festival as a single organism. The left hand (which needs volunteers) is being inclusive, while the right hand (which collects talent) is not. Which is how many festivals operate, of course—and Jesse, I expect this is your true point of view—but the difference is, most festivals don't fill out their lineup with performers from their own venue.
I never thought otherwise. Like Shannon and Heiberg, I don't begrudge anyone who volunteers. Really. But we're talking about two different things: the opportunity to help house-manage and do other background work, vs. the opportunity to actually participate in the festival.Spots wrote:Believe me, folks who responded to the volunteer call are being treated royally. Yep, volunteers get to see shows for free. And they're being offered positions as house managers & the possibility for growth next year and the year after that.
Y'all enjoy your festival. I mean that sincerely. I just can't get enthused about it myself. Nor can many other members of the AIC. Which is everyone's loss, in the long run.