I agree. A student can learn all the mechanics of comedy and storytelling in the world but the only way to let them flourish onstage is by letting go of fear and ego, which is harder for some people than others.valetoile wrote:I feel like being "good" at improv is not so much about developing skill sand talents as it is about letting go of fear, the need to control, and trying to be good. It's a state of mind, first and foremost. Anyone who can chip away at that need for things to be good, who can tap into that state of loss of self for even an instant, can get better at improv and find that sweet spot more consistently. The only real block to people getting good is their own attachments.
Can anyone become a good improvisor?
Discussion of the art and craft of improvisation.
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- karenjanedewitt Offline
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it comes and goes in waves, Bill...i think the feeling of being "lost" or "i don't know what i'm doing" is less of a regression to not knowing anything and more just that you've become accustomed to the level you've unlocked. if all Neo sees is the Matrix, after a while that just becomes the new mundane reality. until you unlock the next level and see everything through epiphany eyes again. the beautiful thing? there's always a next level (and i am pretty sure that you will be the first improvisor to discover how to fly just through the power of prov.
).
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Yeah, I know... I'm just impatient and it seems like the more time you spend doing it, the further apart and the smaller the waves are. It's a good thing I enjoy just being in the water.Rev. Jordan T. Maxwell wrote:it comes and goes in waves, Bill...i think the feeling of being "lost" or "i don't know what i'm doing" is less of a regression to not knowing anything and more just that you've become accustomed to the level you've unlocked.
They call me Dollar Bill 'cause I always make sense.
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Did somebody hear something?karenjanedewitt wrote:I agree. A student can learn all the mechanics of comedy and storytelling in the world but the only way to let them flourish onstage is by letting go of fear and ego, which is harder for some people than others.
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WE'RE BRINGING HER BACK...TONIGHT!mpbrockman wrote:Did somebody hear something?karenjanedewitt wrote:I agree. A student can learn all the mechanics of comedy and storytelling in the world but the only way to let them flourish onstage is by letting go of fear and ego, which is harder for some people than others.
Sweetness Prevails.
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- mpbrockman Offline
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Well, there's a hell of an electrical storm going on down here in the Caribbean right now. A good night for witchery, necromancy.Rev. Jordan T. Maxwell wrote:WE'RE BRINGING HER BACK...TONIGHT!mpbrockman wrote:Did somebody hear something?karenjanedewitt wrote:I agree. A student can learn all the mechanics of comedy and storytelling in the world but the only way to let them flourish onstage is by letting go of fear and ego, which is harder for some people than others.
Let's go dancing... and necromancing...
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